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everything he/she might have done in, for or against a movie (well, probably not against a movie, because that would be stupid) |
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1.) Calling Dr. Death, USA 1943, directed by Reginald Le Borg, written by Edward Dein, special photographic effects by John P.Fulton, musical director: Paul Sawtell
2.) Cobra Woman, USA 1944, directed by Robert Siodmak, story by Scott Darling, screenplay by Gene Lewis, Richard Brooks, music by Edward Ward, make up by Jack Pierce, special effects by John P. Fulton
3.) The Colossus of New York, USA 1958, directed by Eugène Lourié, story by Willis Goldbeck, screenplay by Thelma Schnee, music by Van Cleave, special effects by John P.Fulton, Colossus-costume by Charles Gemora, Ralph Jester
4.) Cross Country Cruise, USA 1934, directed by Edward Buzzell, story by Stanley Rauh, screenplay by Elmer Harris, special photography by John P. Fulton
5.) Dead Man's Eyes, USA 1944, directed by Reginald Le Borg, written by Dwight V.Babcock, special photographic effects by John P.Fulton, musical director: Paul Sawtell
6.) Gypsy Wildcat, USA 1944, directed by Roy William Neill, story by James P.Hogan, Ralph Stock, screenplay by James M. Cain, James P. Hogan, Gene Lewis, additional dialogue by Joseph Hoffman, music by Edward Ward, special photography by John P. Fulton, makeup by Jack Pierce
7.) House of Dracula, USA 1945, directed by Erle C. Kenton, screenplay by Edward T.Lowe, make up by Jack Pierce, special effects by John P.Fulton
8.) House of Frankenstein, USA 1944, directed by Erle C. Kenton, screenplay by Edward T.Lowe, based on a story by Curt Siodmak, make up by Jack Pierce, special effects by John P. Fulton
9.) I Married a Monster from Outer Space, USA 1958, directed by Gene Fowler jr, written by Lewis Vittes, special photographic effects by John P.Fulton
10.) Invisible Agent, USA 1942, directed by Edwin L. Marin, screenplay by Curt Siodmak, very loosely based on The Invisible Man by H.G. Wells, music by Hans J. Salter, special photographic effects by John P. Fulton, special effects by David S. Horsley
11.) The Invisible Man, USA 1933, directed by James Whale, screenplay by R.C.Sherriff, based on the novel by H.G.Wells, music by Heinz Roemheld, special effects by John P. Fulton
12.) The Invisible Man Returns, USA 1940, directed by Joe May, story by Curt Siodmak, Joe May, screenplay by Curt Siodmak, Lester Cole, based on concepts by H.G.Wells, music by Hans J. Salter, Frank Skinner, musical director: Charles Previn, special effects by John P.Fulton
13.) The Invisible Man's Revenge, USA 1944, directed by Ford L. Beebe, written by Bertram Millhauser, based on concepts by H.G.Wells, music by Hans J. Salter, special effects by John P.Fulton
14.) The Invisible Ray, USA 1936, directed by Lambert Hillyer, screenplay by John Colton, based on a story by Howard Higgin, Douglas Hodges, music by Franz Waxman, special effects by John P.Fulton
15.) The Invisible Woman, USA 1940, directed by A. Edward Sutherland, story by Curt Siodmak, Joe May, screenplay by Robert Lees, Frederic I. Rinaldo, Gertrude Purcell, music by Frank Skinner, musical director: Charles Previn, special effects by John P.Fulton
16.) Man Made Monster, USA 1941, directed by George Waggner, screenplay by Joseph West (= George Waggner), based on the story The Electric Man by Harry Essex, Sid Schwartz, Len Golos, music by Harry J.Salter, makeup by Jack Pierce, special effects by John P.Fulton
17.) Weird Woman, USA 1944, directed by Reginald Le Borg, screenplay by Brenda Weisberg, based on the novel Conjure Wife by Fritz Leiber jr, special photographic effects by John P. Fulton, musical director: Paul Sawtell
18.) Werewolf of London, USA 1935, directed by Stuart Walker, special effects by John P. Fulton review by Mike Haberfelner, second opinion by Dale Pierce
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